Reviews

RogerEbert.com — The Nun

“The Nun” is a prequel to “The Conjuring” universe (the “Conjurverse?”), taking us all the way back to rural Romania in 1952 and the war-ravaged abbey where the series’ creepy nun first roamed the halls. Director Corin Hardy’s film is good for a few jump scares here and there, and...

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RogerEbert.com — Reprisal

“Reprisal” is a blandly gritty piece of late-August mayhem that’s as forgettable as its generic title. I’m actually sort of amazed that it got a theatrical release at all. Perhaps this empty crime thriller is only seeing the light of day because of the presence of Bruce Willis, who basically...

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RogerEbert.com — Searching

“Searching” is predicated on a central gimmick — it takes place entirely within the screens of electronic devices — but it pulls it off in exciting and inventive ways. John Cho gets to show great range — and is often shot in close-up, so there’s nowhere to hide — as...

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RogerEbert.com — The Wife

Glenn Close is subtly devastating in “The Wife,” indicating a lifetime of repression and resentment in just the slightest wry smile or withering glance. Close and Jonathan Pryce have crackling chemistry with each other, the two veteran actors enjoying snappy banter and enduring lacerating battles. But while Pryce’s character remains steady in...

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RogerEbert.com — The Swan

“The Swan” is a coming-of-age drama that’s equal parts beautiful and brutal, similar to the rugged terrain of northern Iceland where it takes place. I mean, look at that photo — doesn’t it make you want to hop on a plane to Reykjavik right now? The debut feature from writer-director...

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Christy by Request — Razorback

“Razorback” had so much potential. It’s a grungy ’80s exploitation film about a ravenous boar rampaging across the Australian outback, devouring anyone who has the misfortune of being in its path. I’d never seen (or even heard of) this unabashed B-movie before it came up this past weekend as the...

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