RogerEbert.com — Superior
There’s more than a hint of David Lynch’s signature noir aesthetic in “Superior,” the feature filmmaking debut from director and co-writer Erin Vassilopoulos. Her story even explores the undercurrent of danger running just below the placid surface of small-town America, Lynch’s preferred playground. But while “Superior” has a rich style and a couple of intriguing ideas, it ultimately doesn’t add up to much, leaving you with the feeling that you’re watching an inferior homage. My mixed review, at RogerEbert.com.