The new “Godzilla” is pretty bad-ass. Matt and I actively cheered and applauded the monster. Ben had a blast, too. Alonso was not nearly so impressed. Please enjoy our super-sized review....
Read moreThe new “Godzilla” is pretty bad-ass. Matt and I actively cheered and applauded the monster. Ben had a blast, too. Alonso was not nearly so impressed. Please enjoy our super-sized review....
Read moreThe four of us are all on the same page on this overstuffed comic-book sequel: a little more conversation, a little less action, please....
Read moreWatching “The Amazing Spider-Man 2” made me long for a low-budget, indie version of the same movie — one that took out all the numbing action sequences and focused instead on the character’s inner struggle. I also realize this is a ridiculous proposal in my two-star review for RogerEbert.com. Read...
Read moreThe last film Paul Walker completed before his death in a November 2013 car crash is an English-language remake of the French action thriller “District B13.” It’s ridiculous, but at least it has the decency to acknowledge that it’s ridiculous. And it’s a solid showcase of Walker’s charisma, agility and...
Read morePaul Walker’s final completed film is an enjoyably trashy, English-language remake of the French action thriller “District B13.” It’s not a great movie but it’s a solid showcase for what Walker did best....
Read moreStop me if you think you’ve heard this one before: In a rigidly structured, dystopian future, one extraordinary teenage girl will emerge as either its savior or its destroyer. “Divergent,” based on the Veronica Roth novel, definitely follows a familiar, young-adult formula. But the performances — namely from stars Shailene...
Read moreLike Tris standing before all those bowls at the Choosing Ceremony, I’m mixed on “Divergent.” But I’m way more positive on it than Matt and Alonso are. Then again, I made myself read the book — and now I actually want to read the next two....
Read moreBy turns daffy and dazzling, awkward and artful, “Journey to the West” takes an ancient tale and gives it contemporary flair. Its action sequences are a blast. But then the characters have to stop and talk. My RogerEbert.com review. Read the review here...
Read moreThis is madness? This is … a prequel. Or sequel. Or sidebar. Or something. Alonso, Matt and I take a slo-mo stab at the follow-up to the super-stylized, ultra-violent 2006 hit....
Read moreThe texts are coming from inside the plane! The semi-annual Liam Neeson Festival of Ass-Kicking is back. This time, he plays a troubled air marshal who receives threatening text messages during a trans-Atlantic flight from New York to London. The “fasten seat belts” sign definitely is on....
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