Reviews

RogerEbert.com — Good Boys

The good boys of “Good Boys” try very, very hard to be bad. But despite their adult aspirations over the course of a wild couple of days, it’s their sweet-natured innocence that ultimately sees them through every misadventure. The feature debut from director Gene Stupnitsky is a bit of a...

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RogerEbert.com — Brian Banks

It is a tricky time to be releasing a movie like “Brian Banks,” based on the true story of a Southern California high school football star who was falsely accused of rape and sentenced to six years in prison. Aldis Hodge gives a strong performance, and certainly this does happen...

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RogerEbert.com — Skin

Jamie Bell completely transforms himself to give a powerful performance in “Skin,” based on the true story of a white supremacist who dared to turn his life around. Vera Farmiga and Bill Camp are chilling as the hate group’s charismatic leaders, and writer-director Guy Nattiv’s film is sadly too timely....

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RogerEbert.com — The Farewell

Believe the hype and bring tissues: “The Farewell” is one of the best movies of the year. Writer-director Lulu Wang tells an incredible, personal story with a perfect tonal balance of hilarity and heartbreak. It’s culturally specific yet universally relatable in its depiction of a family in crisis. And Awkwafina...

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RogerEbert.com — The Art of Self-Defense

“The Art of Self-Defense” begins life as a twisted take on “The Karate Kid,” but eventually morphs into a cautionary tale in the vein of “Fight Club.” Writer-director Riley Stearns uses a precise and dryly deadpan tone to explore the notion of toxic masculinity in this pitch-black comedy, while Jesse...

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RogerEbert.com — Spider-Man: Far From Home

“Spider-Man: Far From Home” changes the scenery but can’t quite match the inspired heights of its predecessor, 2017’s “Spider-Man: Homecoming.” It’s a lot of fun, and Tom Holland remains completely charming in his boyish incarnation of Peter Parker. But this sequel functions more effectively as a teen romantic comedy than...

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RogerEbert.com — Rocketman

Elton John has never played it safe, cultivating a flashy stage persona that’s sustained him for decades. But “Rocketman,” the movie about his life and music, does. Taron Egerton works his ass off and sings his heart out as the legendary performer, but all his efforts are in the service...

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