My first RogerEbert.com review of 2016 is of “In the Shadow of Women,” the latest from French New Wave veteran Philippe Garrel. Given that it’s January, I’d say I lucked out big-time. Garrel may not be saying anything terribly new about infidelity, but he’s saying it in lush black and...
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Reviews
Star Wars: Episode VII — The Force Awakens
Walt Disney Pictures. PG-13 for sci-fi action violence. Running time: 135 minutes. Three and a half stars out of four. You guys have all seen “Star Wars: Episode VII — The Force Awakens” by now, right? So I can go ahead and wallow in all the spoilers? Actually, I wouldn’t...
Read moreRogerEbert.com — Son of Saul
The Hungarian drama “Son of Saul” is a marvel of controlled, precise filmmaking and an impressively assured debut from director Laszlo Nemes and star Geza Rohrig. The story of a Nazi concentration camp prisoner trying to bury a boy he says is his son is harrowing to watch, yet mesmerizing....
Read moreRogerEbert.com — Sisters
The zippy, zingy chemistry of longtime collaborators and best friends Tina Fey and Amy Poehler keeps “Sisters” consistently entertaining, even when it grows a tad repetitive and overlong. My RogerEbert.com review. Read the review here...
Read moreThe Ridiculous 6
Netflix Unrated. Running time: 119 minutes. Zero stars out of four. I’m gonna do away with this quickly, because why should I put more thought into “The Ridiculous 6” than the people who actually made it? That’s just nuts. But several of you guys asked whether I’d seen the latest...
Read moreRogerEbert.com — Boy and the World
The animated Brazilian film “Boy and the World” may look simple, but as it unfurls and takes hold, it’s dazzling in its colors and aesthetics. As a parable about the perils of industrialization, it’s not the most subtle, but it’s always a wonder to watch. My RogerEbert.com review. Read the...
Read moreRogerEbert.com — Macbeth
Plenty of toil and trouble (and sound and fury) in Justin Kurzel’s viscerally violent and devastatingly gorgeous adaptation of “Macbeth,” starring Michael Fassbender and Marion Cotillard. My RogerEbert.com review. Read the review here...
Read moreRogerEbert.com — The Danish Girl
Like most of Tom Hooper’s movies — “The King’s Speech,” “Les Miserables” — “The Danish Girl” is tasteful and restrained to a fault. The story of transgender pioneer Lili Elbe is impeccably made and strongly acted, but easier to admire than love. My extremely mixed RogerEbert.com review. Read the review...
Read moreRogerEbert.com — The Hunger Games: Mockingjay — Part 2
It’s the final film in the “Hunger Games” saga — no, really it is this time! With the exception of a couple of truly dazzling action set pieces, “Mockingjay – Part 2” provides more of what we saw in “Mockingjay — Part 1”: a lot of wheel-spinning and repetitive imagery....
Read moreRogerEbert.com — Mustang
“Mustang” may sound like a Turkish version of “The Virgin Suicides,” but it’s got a melancholy all its own, as well as a rebellious spirit. The debut from director Deniz Gamze Erguven is both intimate and urgent. Take your daughters to see this one — it’s excellent. My RogerEbert.com review....
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