RogerEbert.com — Blonde
“Blonde” abuses and exploits Marilyn Monroe all over again, the way so many men did over the cultural icon’s tragic, too-short life. Maybe that’s the point, but it creates a maddening paradox: condemning the cruelty the superstar endured until her death at 36 while also reveling in it. My extremely conflicted review, at RogerEbert.com.