RogerEbert.com — Violet

To the outside world, Violet would seem to have it all. But inside her head, she tells herself a different story—or rather, “The Committee” does. That gaping disparity provides the central conflict within writer/director Justine Bateman’s feature filmmaking debut, “Violet.” Olivia Munn shows dramatic range unlike any we’ve seen before, but her performance gets overpowered by stylistic clutter. My mixed review, at RogerEbert.com.

Read the review here

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