What the Flick?! Podcast 11/20/18

Image result for the favouriteWe’re thankful that some of the best movies of the year are opening during this Thanksgiving week on the What the Flick?! Podcast. Alonso and I review the latest twisted delight from Yorgos Lanthimos, “The Favourite” — which may be my favo(u)rite film of 2018 — as well as Alfonso Cuaron’s devastatingly beautiful and personal “Roma.” We also talk about a couple of sequels in “Creed II” and “Ralph Breaks the Internet,” and I sing the praises of the quietly powerful Japanese drama “Shoplifters.” We’re thankful to all of you, too, for sticking with us, and we hope you enjoy the long holiday weekend.

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  1. To download an mp3 file, right-click this link and select Save Link As.
    http://christylemire.com/wp-content/uploads/2018/11/WTF-Podcast-112018.mp3

    0:00 – 2:13: Intro
    2:14 – 10:01: The Favourite WTF (10), Tomatometer (90%)
    10:02 – 21:33: Roma WTF (9.6), Tomatometer (99%)
    21:34 – 34:55: Creed II WTF (6.5), Tomatometer (79%)
    34:56 – 43:51: Ralph Breaks the Internet WTF (5.9), Tomatometer (93%)
    43:52 – 50:35: Shoplifters WTF (9.6), Tomatometer (98%)
    50:36 – 52:50: Recap and Next week’s show

  2. Great to be here! Thanks as usual, y’all!
    And thanks so much to Tom Huffman for the mp3 to download.
    Cheers!
    Larry
    PS: Sounded good too!

  3. terrific episode guys! It was so unreal to hear that the YouTube series was abruptly cut. Like my brain didn’t know what to make of it for a few days, it didn’t accept it as a real event. Although I had been having prescient thoughts early this year about, “I wonder how much money What the Flick brings into Young Turks based on this many views, I wonder how much the hosts get paid, I wonder how viable this is considering they’ve had to introduce of promos, and how the core Young Turks programs have lost their way.”

    But now we’re all settled into this new format and it really works, and has clear advantages over the clip format, it’s just very gratifying to see that this institution can survive and even thrive after this traumatic event in late August.

  4. So good to still have your voices pitching in on the weekly releases, it’s become so much a part of my weekly routine. The Favourite sounds amazing.

    You know, you guys actually sound more coherent in this format! (Not that you ever rambled). It does make it more difficult to play the ‘whenever they look into the wrong camera’ drinking game, though …

  5. Have either of you seen Border (2018)? I’m curious what your thoughts are. People have really loved it, but I’m not sure it’s as meaningful as it thinks it is.

    • I’ve seen Border, and I found it really intriguing until it started explaining what the deal is with these characters. The mystery was more interesting. Eva Melander gave a startling performance, though.

  6. Re: Trumphie, Trump, Trump

    Gee, what I wonder is.

    What did we do ten or twenty years ago, before we had men in power, to whom we could attribute the blame for everything practically that goes wrong in the world? The problem with the late Young Turks 2018 broadcasts, looking back at it from this remove – maybe is that they were rubber stamped by this ‘date stamp’ that said Post-Trump era.

    I had a ‘real’ film experience this week, for the first time in a very long time. It was a ‘flash back’ film experience too. I saw a movie called ‘The Smartest Men in the Room’, and didn’t really understand it that well, when I saw it in an Art House theatre in Dublin when it was officially released. I was younger.

    I watched the movie about a company that used to operate and employ people in Texas many years ago. The documentary about Enron, ‘The Smartest Men in the Room’, pre-empted the era of Schwarzenegger as Govenor of the state of California, when he took a break out from making movies.

    What I enjoyed though, about re-watching this old documentary on a smaller screen (the main reason, why I believe this was a real ‘movie experience’), was that there wasn’t a shred of any mention, or hint of the ‘Trump era’. It had everything that was ‘wrong’ with the world in that old documentary about Enron company, and the financial collapse of stock market in early 2000’s.

    However, the documentary about Enron was just made in an era that was pre-social media, pre-smart phone, pre-Trump, pre-peak-cynicism.

    And that’s what hit me about ‘The Smartest Guys in the Room’.

    What hit me about that movie, straight between the eyes. Is that even faced with the worst aspects of capitalism and free market gone out of control – that people who made ‘cynical’ documentary movies back in the early 2000’s – still weren’t as cynical about everything, as people who would make movies (or talk about them), now in 2018.

    The reason that I had this weird, and very real ‘movie experience’ when watching an old documentary (that was intended to be cynical). Is that watching a movie about bad behavior at Enron, made back then, is this more ‘positive’ in it’s outlook – than that of listening to film critics talk in 2018.

    That’s what hit me. The difference that 15 years of time can make. To society and the idea makers in society, at different stages in history. It made me wonder, do film makers and film critics really appreciate how extremely cynical they have become at this stage in history? In 2018? Because looking at what passed for cynical in documentary movies – that is, very good documentary movies – around 15 years ago. Doesn’t begin to scratch the surface of what we call cynicism in 2018. All the best.

  7. I saw Shoplifters at AFI Fest last week, and have since then been fumbling my way through enthusiastically telling people why they should see it without giving any of the vital points away. I thought your review of it was perfect Christy.

  8. This is your best review session yet. Excellent sound quality. Reviews are concise without giving away critical details, and I love the enthusiasm; of course, it doesn’t hurt that a few of the movies most likely will be my favorites, too. Keep up the fabulous work! Respect.

  9. Hirokazu Koreeda also directed Like Father, Like Son and Maborosi, so that makes me very excited to see Shoplifters since those are both 2 of my favorite films of their respective decades. A lot of high ratings this week, wowsa! Exciting, i wanna see all the movies you guys discussed

  10. Hey Christy— just wanted to say I totally learned podcast hosting from you on What The Flick. I started a new podcast not too long ago definitely have the “keep ‘em on track but keep it conversational” style and listening to yours tonight I was like, “Ohhhh that’s where I got that from.” Not going to shameless plug anything here, just wanted to say you’re great and thanks!

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