RogerEbert.com — The Innocents

Veteran French director Anne Fontaine approaches a spiritually and emotionally complex real-life slice of history with deftness and understated drama in “The Innocents,” about a group of nuns who became pregnant after Soviet soldiers raped them at the end of World War II. My RogerEbert.com review. Read the review here

RogerEbert.com — Little Boy

The World War II drama “Little Boy” is extremely earnest but it’s also extremely heavy-handed in its notions about the transformative power of faith. I’d avoid it if I were you. My RogerEbert.com review. Read the review here

RogerEbert.com — The German Doctor

Nazis and puberty and a creepy doll factory, all wrapped up in one story: The prospect of such anxiety sounds like it would be almost be too much to bear. But “The German Doctor” treats its depiction of “Angel of Death” Josef Mengele’s years of hiding in Patagonia with artful restraint. My RogerEbert.com review. Read […]

RogerEbert.com — The Railway Man

Austere and old-fashioned almost to a fault, “The Railway Man” offers tastefully safe treatment of a horrific subject: the torture of a British Army officer at a Japanese prisoner of war camp during World War II. Colin Firth and Nicole Kidman give solid performances in this true story. My RogerEbert.com review. Read the review here

What the Flick?! — The Monuments Men

George Clooney, as director, co-writer and star, put together an impressive cast to tell the story of a group of art historians who went behind enemy lines during World War II to recover millions of paintings and scultpures that Hitler stole. But the film is strangely dull and tonally off, and watching Clooney interact with […]