RogerEbert.com — It

Dear lord, is this movie scary — especially if you have a fear of clowns, which is totally understandable, because they’re creepy. But the latest adaptation of the iconic Stephen King novel is just as effective as a coming-of-age drama, with strong performances from a well-chosen cast of young actors. See it … if you […]

RogerEbert.com — Wind River

If you liked “Sicario” and “Hell or High Water,” please seek out “Wind River.” Screenwriter Taylor Sheridan also directs this time, telling the story of a murder mystery at a Wyoming Indian reservation. It’s gripping and chilling, with a rich sense of place and strong performances from Jeremy Renner and Elizabeth Olsen as the investigators […]

RogerEbert.com — Berlin Syndrome

“Berlin Syndrome” will make you question any wanderlust-inspired notions you may have of traveling alone to a foreign country on a quest for self-discovery. Australian director Cate Shortland creates a dreamlike sense of place within a nightmare scenario with this taut and strongly acted thriller. And Teresa Palmer works wonders in what is often a […]

RogerEbert.com — Unforgettable

“Unforgettable” is what my mom would have called “good trash.” Like Sidney Sheldon novels. Its stars — Rosario Dawson and Katherine Heigl — know exactly what kind of movie they’re in, and they’re reveling in it. This sexual thriller isn’t exactly good, but I had a good time watching it. My RogerEbert.com review. Read the […]

RogerEbert.com — Split

This psychological thriller marks a return to form for M. Night Shyamalan, featuring a tour de force performance from James McAvoy as a kidnapper suffering from multiple personality disorder. The big twist is, there is no big twist: It’s just a suspenseful, well-acted film. My RogerEbert.com review. Read the review here

RogerEbert.com — The Girl on the Train

The book wasn’t great. It was solid trash — a juicy page turner. The movie version isn’t even that. It’s a surprisingly flat and suspense-free tale of pretty people in peril. Emily Blunt gives it her all, though, as the title character: a damaged woman on a misguided quest for redemption. My RogerEbert.com review. Read […]

RogerEbert.com — The Ones Below

Writer-director David Farr takes the giddy, heady days of early motherhood—the frustration and isolation, the exhaustion and confusion—and mines them for creepy, paranoid thrills in “The Ones Below.” Anyone who’s had a child will relate, but you don’t have to be a parent to get wrapped up in the tension. My RogerEbert.com review. Read the […]

RogerEbert.com — Money Monster

Drop Jim Cramer into “Network” and you have “Money Monster” — and yet the result never ends up being quite as thrilling or thought-provoking as that premise sounds. Jodie Foster’s direction is lean and efficient, though, and George Clooney and Julia Roberts have crackling chemistry as always. My mixed RogerEbert.com review. Read the review here

Hardcore Henry

STX Entertainment Rated R for for non-stop bloody brutal violence and mayhem, language throughout, sexual content/nudity and drug use. Running time: 95 minutes. One and a half stars out of four. Bring Dramamine if you’re planning on seeing “Hardcore Henry.” And do NOT meet up with friends for drinks beforehand. This extra-violent extravaganza of first-person […]

RogerEbert.com — Kill Your Friends

“Kill Your Friends,” a dark satire of the late-’90s music industry, is amusingly slick and biting for a while. Nicholas Hoult stars as a successful and handsome but secretly homicidal A&R executive at a London record label. But comparisons to “American Psycho” are inevitable, and “Kill Your Friends” doesn’t measure up favorably. The soundtrack is […]