Playing namby-pamby isn’t Sam Rockwell’s strong suit. He’s at his best playing the wild card, the troublemaker, the most charming rogue. Here, he’s stuck as a put-upon pharmacist in this dark romantic comedy opposite Olivia Wilde as the boozy trophy wife who serves as his guide to debauchery. My RogerEbert.com review. Read the review here
Is “All Is Lost” “Gravity” on a boat, or is “Gravity” “All Is Lost” in space? The proximity of the release of these two films — which surely will rank among the year’s best — offers an intriguing juxtaposition. Where would you rather be stranded: floating in the middle of nowhere in the stars, or […]
The backwoods neo-noir “A Single Shot” is an odd mix of beautifully bleak atmosphere and hammily mannered performances, which makes it simultaneously understated and overpowering. But it’s always good to see Sam Rockwell. My review for RogerEbert.com. Read the review here
Pure formula, but it’s smart, sweet and crowd-pleasing.