RogerEbert.com — Fun Mom Dinner

I have been to many a Fun Mom Dinner in my life. I’m usually the ones who plans them, actually. So I am exactly the target audience for the raunchy, R-rated comedy “Fun Mom Dinner.” Unfortunately, it’s got moms and dinner but not much fun. My RogerEbert.com review. Read the review here

Captain America: Civil War

Walt Disney Pictures Rated PG-13 for extended sequences of violence, action and mayhem. Running time: 146 minutes. Three and a half stars out of four. With “Captain America: Civil War,” directors Anthony and Joe Russo have found the tricky balance that eluded the ordinarily reliable Joss Whedon with last year’s “Avengers: Age of Ultron.” They’ve […]

Ant-Man

Walt Disney Pictures Rated PG-13 for sci-fi action violence. Running time: 115 minutes. Three stars out of four. The end of the world isn’t nigh, for once, in “Ant-Man.” Sure, there are stakes. This is a summer blockbuster, after all. It has to make us care about something of consequence. But the overwhelming, self-serious sense […]

RogerEbert.com — They Came Together

Paul Rudd and Amy Poehler star in this parody of romantic comedies and all the formulas and cliches that make them seem so interchangeable. Working with director David Wain and an impressive supporting cast of likable comic talents, they’ve essentially made a formulaic, cliched romantic comedy. It’s sadly lifeless. My RogerEbert.com review. Read the review […]

What the Flick?! — They Came Together

Alonso and I have a major disagreement with our good friend, Amy Nicholson, over whether the romantic comedy parody “They Came Together” is actually funny or not.

Anchorman 2: The Legend Continues

Paramount Pictures Rated PG-13 for crude and sexual content, drug use, language and comic violence. Running time: 119 minutes. Two stars out of four. “Anchorman 2: The Legend Continues” is so scattershot in its stream-of-consciousness sense of mayhem, it makes the original “Anchorman” look like a John le Carre adaptation by comparison. Now, I know […]

RogerEbert.com — David Gordon Green

David Gordon Green’s latest film, “Prince Avalanche,” seamlessly blends the two seemingly contradictory artistic instincts within the writer-director: It has the unhurried pace and richly naturalistic aesthetic of his early, indie dramas with the comic banter and oddball characters of his later work. I very much enjoyed talking with him for a RogerEbert.com profile about […]