I have mixed feelings about “I Feel Pretty,” a high-concept, modern-day fairy tale. Amy Schumer stars as an insecure woman who suffers a head injury and believes she’s been magically transformed into the gorgeous bombshell she’s always dreamed of becoming — even though she’s unchanged on the outside. It’s a lot...
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Reviews
Christy by Request — After Hours
“After Hours” is a decidedly un-Scorseseish Martin Scorsese film: a light, goofy and surreal comedy with no real stakes. And yet all that brilliant craft is on display, the muscular cinematic energy, the taste for danger and the vivid sense of place within New York City that’s so often his...
Read moreRogerEbert.com — Where Is Kyra?
Michelle Pfeiffer gives the performance of her long and eclectic career in “Where Is Kyra?” (Even better than “Grease 2,” which I love with zero irony.) Pfeiffer stars as a desperate, unemployed woman who employs increasingly dangerous tactics to avoid being evicted after the death of her ailing mother. It’s...
Read moreWine the Flick?! — The Commuter
Liam Neeson brings his very particular set of skills to yet another January action movie. You can set your watch by them, they’re so reliable. And that’s true once again with “The Commuter,” which is essentially “Taken” on a train. It’s a lot of fun for a while, and then...
Read moreRogerEbert.com — Wonderstruck
Despite its visual delights — the gorgeous cinematography, the rich costumes, the vivid sense of place — “Wonderstruck” is a rare disappointment from Todd Haynes. He bounces back in forth in time in telling the story of two young people who run away to New York City 50 years apart,...
Read moreRogerEbert.com — Person to Person
Various characters populate “Person to Person,” but they rarely register as actual people. And while some of their storylines intersect throughout the course of a day in New York, they rarely connect in ways that have actual meaning. My RogerEbert.com review of this shaggy, meandering dramedy. Read the review...
Read moreRogerEbert.com — 3 Generations
This drama about a transgendered teen and her family in New York City has the best of intentions and a strong cast in Elle Fanning, Naomi Watts and Susan Sarandon. But it skims the surface of an emotionally complicated topic and focuses on a romantic history that isn’t nearly as...
Read moreRogerEbert.com — Norman: The Moderate Rise and Tragic Fall of a New York Fixer
How you feel about Norman the character will determine how you feel about “Norman” the movie. Is he a shameless hustler? Or merely an overbearing yet well-intentioned mensch? And yet, in Richard Gere’s deft, veteran hands, would-be fixer Norman Oppenheimer is consistently, completely fascinating. It’s one of the best performances...
Read moreRogerEbert.com — Maggie’s Plan
Echoes of Woody Allen and Noah Baumbach are unmistakable in Rebecca Miller’s romantic comedy about narcissistic, intellectual New York academics falling in and out of love with each other. Writer-director Rebecca Miller’s comic dialogue sparkles, but the dramatic underpinnings don’t work quite as well. My mixed RogerEbert.com review. Read the...
Read moreRogerEbert.com — Money Monster
Drop Jim Cramer into “Network” and you have “Money Monster” — and yet the result never ends up being quite as thrilling or thought-provoking as that premise sounds. Jodie Foster’s direction is lean and efficient, though, and George Clooney and Julia Roberts have crackling chemistry as always. My mixed RogerEbert.com...
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