RogerEbert.com — Person to Person

Various characters populate “Person to Person,” but they rarely register as actual people. And while some of their storylines intersect throughout the course of a day in New York, they rarely connect in ways that have actual meaning. My RogerEbert.com review of this shaggy, meandering dramedy. Read the review here

RogerEbert.com — 3 Generations

This drama about a transgendered teen and her family in New York City has the best of intentions and a strong cast in Elle Fanning, Naomi Watts and Susan Sarandon. But it skims the surface of an emotionally complicated topic and focuses on a romantic history that isn’t nearly as compelling. My RogerEbert.com review. Read […]

RogerEbert.com — Norman: The Moderate Rise and Tragic Fall of a New York Fixer

How you feel about Norman the character will determine how you feel about “Norman” the movie. Is he a shameless hustler? Or merely an overbearing yet well-intentioned mensch? And yet, in Richard Gere’s deft, veteran hands, would-be fixer Norman Oppenheimer is consistently, completely fascinating. It’s one of the best performances of Gere’s long and eclectic […]

RogerEbert.com — Maggie’s Plan

Echoes of Woody Allen and Noah Baumbach are unmistakable in Rebecca Miller’s romantic comedy about narcissistic, intellectual New York academics falling in and out of love with each other. Writer-director Rebecca Miller’s comic dialogue sparkles, but the dramatic underpinnings don’t work quite as well. My mixed RogerEbert.com review. Read the review here

RogerEbert.com — Money Monster

Drop Jim Cramer into “Network” and you have “Money Monster” — and yet the result never ends up being quite as thrilling or thought-provoking as that premise sounds. Jodie Foster’s direction is lean and efficient, though, and George Clooney and Julia Roberts have crackling chemistry as always. My mixed RogerEbert.com review. Read the review here

RogerEbert.com — How to Be Single

The ensemble rom-com “How to Be Single” manages the tricky feat of balancing bawdiness and sentimentality. It doesn’t do quite as good a job of connecting all its various story lines. But the cast is so winning, you may not mind, and there’s a moment toward the end that packs a surprising emotional wallop. My […]

RogerEbert.com — Before We Go

When it came time for Chris Evans to direct his first film, he strayed far from the behemoth Marvel movies that made him a superstar. “Before We Go” is a walking-and-talking New York City romance in which Evans and Alice Eve co-star as strangers who connect in the middle of the night. Despite their individual […]

RogerEbert.com — Trainwreck

“Trainwreck” is anything but. It’s a great showcase for Amy Schumer’s distinctive and biting comic voice, but it’s also an opportunity for her to explore unexpected dramatic range. And it’s the first Judd Apatow movie that’s ever made my cry. My RogerEbert.com review. Read the review here

RogerEbert.com — While We’re Young

In its brutally clear-eyed look at hipster culture and the horrors of middle age, Noah Baumbach’s latest, “While We’re Young,” is funny and sad and true. Put on your bifocals and enjoy my RogerEbert.com review. Read the review here

What the Flick?! — Top Five

We all really enjoyed the shockingly great “Top Five,” the best film Chris Rock has made yet. The spirit, wit and bite of Rock’s standup work really shines through here.