RogerEbert.com — Maggie’s Plan

Echoes of Woody Allen and Noah Baumbach are unmistakable in Rebecca Miller’s romantic comedy about narcissistic, intellectual New York academics falling in and out of love with each other. Writer-director Rebecca Miller’s comic dialogue sparkles, but the dramatic underpinnings don’t work quite as well. My mixed RogerEbert.com review. Read the review here

RogerEbert.com — Money Monster

Drop Jim Cramer into “Network” and you have “Money Monster” — and yet the result never ends up being quite as thrilling or thought-provoking as that premise sounds. Jodie Foster’s direction is lean and efficient, though, and George Clooney and Julia Roberts have crackling chemistry as always. My mixed RogerEbert.com review. Read the review here

RogerEbert.com — How to Be Single

The ensemble rom-com “How to Be Single” manages the tricky feat of balancing bawdiness and sentimentality. It doesn’t do quite as good a job of connecting all its various story lines. But the cast is so winning, you may not mind, and there’s a moment toward the end that packs a surprising emotional wallop. My […]

RogerEbert.com — Before We Go

When it came time for Chris Evans to direct his first film, he strayed far from the behemoth Marvel movies that made him a superstar. “Before We Go” is a walking-and-talking New York City romance in which Evans and Alice Eve co-star as strangers who connect in the middle of the night. Despite their individual […]

RogerEbert.com — Trainwreck

“Trainwreck” is anything but. It’s a great showcase for Amy Schumer’s distinctive and biting comic voice, but it’s also an opportunity for her to explore unexpected dramatic range. And it’s the first Judd Apatow movie that’s ever made my cry. My RogerEbert.com review. Read the review here

RogerEbert.com — While We’re Young

In its brutally clear-eyed look at hipster culture and the horrors of middle age, Noah Baumbach’s latest, “While We’re Young,” is funny and sad and true. Put on your bifocals and enjoy my RogerEbert.com review. Read the review here

What the Flick?! — Top Five

We all really enjoyed the shockingly great “Top Five,” the best film Chris Rock has made yet. The spirit, wit and bite of Rock’s standup work really shines through here.

RogerEbert.com — Still Alice

Julianne Moore gives a graceful yet powerful performance as a brilliant linguistics professor suffering from early-onset Alzheimer’s disease in “Still Alice.” The movie itself, however, isn’t all that great. My mixed RogerEbert.com review. Read the review here

RogerEbert.com — Actress

The documentary “Actress” blurs the line between reality and performance in following its subject, former actress Brandy Burre, a mother of two trying break back into the business. Director Robert Greene takes a look at this inherently dramatic woman in ways that are both unadorned and artful. My RogerEbert.com review. Read the review here

RogerEbert.com — Birdman

“Birdman” is technically astounding yet emotionally rich, intimate yet enormous, biting yet warm, satirical yet sweet. It’s one of the best times you’ll have at the movies all year and might just be the best movie of the year. A rare four-star review, at RogerEbert.com. Read the review here