So it’s Oscar nomination day, an annual event I always looked forward to back when I had a day job. The announcement comes super-early — 5:38 a.m. Pacific time, to be exact, all the better to take advantage of morning TV news programs — but everyone’s in a good mood at the Academy headquarters in […]
“Steve Jobs” doesn’t try to make you like Steve Jobs –and that’s what makes it so compelling. Danny Boyle’s film, bursting with super-Sorkiny Aaron Sorkin dialogue, is thrilling and daring and full of fascinating contradictions. My RogerEbert.com review. Read the review here
Stop me if you think you’ve heard this one before: In a rigidly structured, dystopian future, one extraordinary teenage girl will emerge as either its savior or its destroyer. “Divergent,” based on the Veronica Roth novel, definitely follows a familiar, young-adult formula. But the performances — namely from stars Shailene Woodley and Theo James — […]
Like Tris standing before all those bowls at the Choosing Ceremony, I’m mixed on “Divergent.” But I’m way more positive on it than Matt and Alonso are. Then again, I made myself read the book — and now I actually want to read the next two.
He’s a hunky convicted killer on the run. She’s a lonely divorcee raising a 13-year-old son. Over one unusually hot holiday weekend, they fall in passionate, doomed love—and they bake a heavily metaphorical pie. Josh Brolin and Kate Winslet do their best with some laughably soapy material in Jason Reitman’s “Labor Day.” My RogerEbert.com review. […]
An article in today’s New York Times Sunday Styles section got me thinking about the indie-film phenomenon of the Manic Pixie Dream Girl: a young woman who’s beautiful and quirky and perfect in the eyes of the lovestruck, mixed-up guy who falls for her. She’s been prominent in the past decade or so, but you […]