Breakfast All Day Podcast

Breakfast All Day Podcast 10/4/22

We’re doing a bit of time traveling on the latest Breakfast All Day. First, Alonso and I look ahead to the star-studded hot mess that is “Amsterdam,” which comes out this Friday. Then, we look back at the star-studded hot mess that is “Don’t Worry Darling,” which has been out...

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Breakfast All Day Podcast 9/6/22

Don’t worry darling — Breakfast All Day is back. And Alonso is recovering and feeling perky just in time to talk about whether Harry Styles actually spit on Chris Pine at the Venice Film Festival. Also in news, we discuss the movies premiering at Telluride, new trailers for “White Noise”...

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Breakfast All Day Podcast 7/9/21

We’re definitely in summer now with the release of the long-awaited blockbuster “Black Widow.” Matt, Alonso and I have a Breakfast All Day review of Scarlett Johansson’s standalone superhero movie, which originally was scheduled to come out in May 2020. Now, you can see it in theaters or at home...

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Breakfast All Day Podcast 6/28/19

Summer is heating up and so is Breakfast All Day, with early reviews of two hotly anticipated movies: the sequel “Spider-Man: Far From Home” and “Midsommar,” Ari Aster’s follow-up to “Hereditary.” Alonso, Matt and I also review the Beatles musical comedy “Yesterday” and “Annabelle Comes Home,” the latest creepy doll...

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Breakfast All Day Podcast 2/15/19

We are your valentine and so much more on this jammed episode of Breakfast All Day. Alonso, Ben, Matt and I are together again — three weeks in a row! — with reviews of the sci-fi extravaganza “Alita: Battle Angel,” the horror-comedy sequel “Happy Death Day 2U” and the extremely...

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Wine the Flick?! — The Commuter

Liam Neeson brings his very particular set of skills to yet another January action movie. You can set your watch by them, they’re so reliable. And that’s true once again with “The Commuter,” which is essentially “Taken” on a train. It’s a lot of fun for a while, and then...

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RogerEbert.com — Lady Macbeth

“Lady Macbeth” only looks like a stuffy, refined period piece. While it is indeed beautiful, it’s also startling, with a central, powerhouse performance from 21-year-old Florence Pugh that constantly challenges how you feel about her title character. My RogerEbert.com review. Read the review here...

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