Reviews

RogerEbert.com — Still Alice

Julianne Moore gives a graceful yet powerful performance as a brilliant linguistics professor suffering from early-onset Alzheimer’s disease in “Still Alice.” The movie itself, however, isn’t all that great. My mixed RogerEbert.com review. Read the review here...

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Kirk Cameron’s Saving Christmas

Samuel Goldwyn Films Rated PG for some thematic elements. Running time: 80 minutes. Zero stars out of four. Let’s just set aside the ideology for a second. We’ll get to that, I promise. Purely from a technical perspective — from a perspective of sheer craft — “Kirk Cameron’s Saving Christmas”...

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This Is Where I Leave You

Warner Bros. Pictures Rated R for language, sexual content and some drug use. Running time: 103 minutes. One and a half stars out of four. Mawkish, self-satisfied and false, “This Is Where I Leave You” strenuously attempts to wring poignancy from its familial clashes and catharsis. More often, it’s cringe-inducing....

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RogerEbert.com — Rocks in My Pockets

Latvian-born artist Signe Baumane dares to trace the origins of her depression and suicidal urges throughout her family, and she does so through colorful animation and darkly humorous narration. Her film is both bold and exhausting, but Baumane’s candor is refreshing. My mixed RogerEbert.com review. Read the review here...

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RogerEbert.com — The Hundred-Foot Journey

With its feel-good themes about exotic food triumphing over closed-mindedness in a quaint French village, this is essentially a remake of “Chocolat” — and it happens to come from that film’s director, Lasse Hallstrom. Helen Mirren is the uptight owner of an elegant and esteemed French restaurant. Om Puri is...

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