Reviews

RogerEbert.com — Zipper

The unfortunately titled “Zipper” is the kind of tawdry sex drama you’d watch late at night on cable and hate yourself for in the morning. Patrick Wilson leads a strong cast as a political star on the rise whose obsession with high-priced escorts threatens to ruin his career ambitions. Sound...

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Paper Towns

20th Century Fox Rated PG-13 for some language, drinking, sexuality and partial nudity — all involving teens. Running time: 109 minutes. Three stars out of four. “Paper Towns” is a movie that I really liked, but I probably would have loved if I’d seen it when I was 13. If...

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Max

Warner Bros. Pictures Rated PG for action violence, peril, brief language and some thematic elements. Running time: 111 minutes. One and a half stars out of four. “Max” is a strange beast. It is, in theory, a family-friendly movie about courage and friendship, with a brave and handsome military search...

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RogerEbert.com — Madame Bovary

The Madame Bovary of this “Madame Bovary” could be Betty Draper. She could be a reality-show housewife or the mom waiting in front of you in an SUV in the pickup line at school. My mixed review of this beautiful but emotionally detached take on Gustave Flaubert’s great novel, at...

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Ex Machina

A24 Films Rated R for graphic nudity, language, sexual references and some violences. Running time: 108 minutes. Four stars out of four. “Ex Machina” is the best movie I’ve seen all year. Granted, it’s April. At the beginning of the year — especially the months of January and February —...

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The Longest Ride

20th Century Fox Rated PG-13 for some sexuality, partial nudity, and some war and sports action. Running time: 128 minutes. Two and a half stars out of four. Movies based on Nicholas Sparks novels are low-hanging fruit. With their patented formula of painfully earnest romance and melodrama, they are easy...

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RogerEbert.com — Last Knights

“Last Knights,” a vaguely medieval action epic starring Morgan Freeman and Clive Owen, is as bland as its generic title would suggest. Japanese director Kazuaki Kiriya’s film might feature some handsome staging and solid production values, but it’s hard to tell because his film is so relentlessly dreary and bleak....

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