RogerEbert.com — Professor Marston and the Wonder Women

“Professor Marston and the Wonder Women” only looks like a tasteful and refined period drama. It’s actually sexy as hell, tackling some daring themes and aiming to shake you up. And its stars — Luke Evans, Rebecca Hall and Bella Heathcote — have crazy chemistry with each other. Please enjoy my RogerEbert.com review. Read the […]

Wine the Flick?! — American Made

So I’m doing something new that may go somewhere and may go nowhere, but it’s an idea I’ve been thinking about for a while and finally got a chance to try. I’ve wanted to do a series of reviews in which I sit down with a friend over a glass of wine, talk about a […]

RogerEbert.com — Woodshock

Kirsten Dunst mopes and meanders in the stylish but stultifyingly dull “Woodshock.” The debut feature from Kate and Laura Mulleavy, the sisters behind the Rodarte fashion label, plays like pseudo-profound film school twaddle. My one-star RogerEbert.com review. Read the review here

RogerEbert.com — Brad’s Status

You may not like Ben Stiller (and I totally understand that instinct), so the idea of a movie that plays up all his most obnoxious on-screen traits may not appeal to you. But “Brad’s Status” is pretty great. So maybe give it a try …? Anyway, here’s my RogerEbert.com review. Read the review here

RogerEbert.com — It

Dear lord, is this movie scary — especially if you have a fear of clowns, which is totally understandable, because they’re creepy. But the latest adaptation of the iconic Stephen King novel is just as effective as a coming-of-age drama, with strong performances from a well-chosen cast of young actors. See it … if you […]

RogerEbert.com — The Last Face

Sean Penn turns African strife into a two-hour perfume commercial with “The Last Face,” veering between gauzy impressionism and shrieky melodrama with his latest directorial effort. The real story is about Charlize Theron and Javier Bardem’s characters, humanitarian aid doctors trapped in a star-crossed romance. It’s all laughably pretentious. Please enjoy my one-star RogerEbert.com review. […]

RogerEbert.com — Lady Macbeth

“Lady Macbeth” only looks like a stuffy, refined period piece. While it is indeed beautiful, it’s also startling, with a central, powerhouse performance from 21-year-old Florence Pugh that constantly challenges how you feel about her title character. My RogerEbert.com review. Read the review here

RogerEbert.com — The Hero

Sam Elliott is Sam Elliott as Sam Elliott in “The Hero,” a sentimental and sporadically effective celebration of the veteran character actor. Director and co-writer Brett Haley is clearly aware that this dude is iconic, placing Elliott front and center for a rare leading role. But while it’s a pleasure to luxuriate in the silver-haired […]

RogerEbert.com — Vincent N Roxxy

“Vincent N Roxxy” is a nasty little piece of B-movie trash that lacks both the verve to grab you as a guilty pleasure and the artistry to be taken seriously as a dramatic thriller. It wastes talented actors who usually have a welcome presence on screen — Emile Hirsch, Zoe Kravitz, Emory Cohen and Zoey […]

RogerEbert.com — Berlin Syndrome

“Berlin Syndrome” will make you question any wanderlust-inspired notions you may have of traveling alone to a foreign country on a quest for self-discovery. Australian director Cate Shortland creates a dreamlike sense of place within a nightmare scenario with this taut and strongly acted thriller. And Teresa Palmer works wonders in what is often a […]