Cameron Crowe’s latest, “Aloha,” is so baffling that I’m not even going to bother trying to explain the plot to you here. But it definitely shows the signs of massive re-editing, and not in a good way. Maybe a great film is hidden in there somewhere. We’ll have to wait for the director’s cut to […]
Bill Murray’s latest film, “St. Vincent,” isn’t exactly one of his greatest. It’s actually kind of mawkish and cringe-inducing. But we’re glass-half-full around here, so we’re going to seize the chance to turn this into a positive. Murray stars as Vincent, an alcoholic, misanthropic veteran living in a run-down Brooklyn home. He finds his anti-social […]
Some thoughts on the feel-good Bill Murray drama “St. Vincent,” which I saw and no one else did. It’s kinda terrible.
So my birthday was yesterday. I’ll spare you the trouble of looking it up on Wikipedia or Facebook or wherever: I’m 42. All I wanted was a desperately needed mani-pedi and to take Nicolas to a matinee of “Ghostbusters,” which is back in theaters for a week in honor of its 30th anniversary. I don’t […]
Revisiting the greatness of “Ghostbusters,” which is back in theaters for a limited run in honor of its 30th anniversary. Matt and I ain’t afraid of no ghosts.
You can check out any time you’d like, but you can never leave. Matt, Alonso and I review the latest Wes Anderson extravaganza, set in a lavish hotel in a fictional Eastern European country between the two world wars.
The What the Flick?! crew looks back on the great career of the late Harold Ramis. We all grew up in the 1970s and ’80s, so Ramis’ films really shaped our comic sensibilities.
There’s no way any of us realized in the moment how great Harold Ramis was. The comedies he directed, wrote and/or co-starred in have seeped into our systems through our pores and entered our DNA by this point — especially for those of us who grew up in the 1980s. We’ve all seen “Animal House,” […]
George Clooney, as director, co-writer and star, put together an impressive cast to tell the story of a group of art historians who went behind enemy lines during World War II to recover millions of paintings and scultpures that Hitler stole. But the film is strangely dull and tonally off, and watching Clooney interact with […]