After the debacle that was Miley Cyrus’ performance at last night’s MTV Video Music Awards, I felt the need to revisit my review of her 2008 3-D movie, “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert.” I remember hoping back then, when she was only 15, that she’d avoid the madness that plagues so many child stars as they make the transition to adulthood.
No such luck, apparently.
Anyway, here’s a look back at a gentler, simpler time when she was just bein’ Miley, and not trying so hard to shock us. Although I suppose I should thank her for introducing me to the concept of “twerking.” Enjoy …
Walt Disney Pictures
Running time: 74 minutes.
Two and a half stars out of four.
As an adult sitting through the 3-D Hannah Montana concert film, it’s impossible not to be overwhelmed — but not by the piercing screech of thousands of frantic 9-year-olds, the crisp digital imagery or the catchiness of the Disney star’s peppy tunes.
Rather, the sensation is one of longing: You wish desperately for Miley Cyrus, the singing, dancing, songwriting, trendsetting dynamo, to avoid turning into Britney Spears. She’s insanely likable and talented, with poise and presence beyond her years. It’s all out there in front of her, and watching the 15-year-old on stage and behind the scenes, you just pray that she’ll turn out all right and not get swept away by the insanity of pop-star celebrity.
Of course, the tween girls for whom “Hannah Montana & Miley Cyrus: Best of Both Worlds Concert” was intended won’t be thinking about this. They’ll just be giddy to feel so close to their idol.
With the three-dimensional effects, it feels as if Cyrus is walking right up you on the catwalk, her perky entourage of backup dancers in tow. One trick — in which she bounces a drumstick on the floor and sends it flying toward the camera — might just make you flinch.
Little girls will be happy to hear the “Hannah Montana” star perform their favorite songs and thrilled to catch a peek of the real Miley backstage — although the moments are carefully chosen to maintain her well-crafted wholesome image.
Watching her interact with her country-singer dad is entertaining, though, simply because they play off each other so easily. And you have to give Billy Ray Cyrus credit for showing a sense of humor about his place on the food chain — at one point, he jokes to her about how he’s played every Indian reservation casino from the Atlantic to the Pacific.
But certainly the show is the thing, and Cyrus — both as herself and as her blond-tressed, television alter ego — runs through all those songs that have been stuck in your head for months, since your kids probably play them nonstop. They include “We Got the Party,” “Nobody’s Perfect” and, of course, “The Best of Both Worlds.” Those nonthreatening Jonas Brothers — Nick, Joe and Kevin — come out for a few songs, too. And if you’re really paying attention, you can catch the moment when Cyrus dashes off stage and is replaced briefly by a body double to buy time for a wardrobe change — which caused a tizzy on the Internet but was a total non-story from the get-go.
Once the movie (and the ringing in your ears) stops, though, it’s obvious why Cyrus has become such a phenomenon. She’s pretty and stylish but never a mean girl; energetic and popular but not conceited. She makes it easy to imagine what it would be like to be friends with her — or at least dress like her. Which you can do because, you know, there’s also a Hannah Montana clothing line.