As is his preferred method, Seth MacFarlane throws everything at the wall — often more than once — to see what sticks in his comic Western. I laughed a lot throughout, particularly when MacFarlane is at his smartest with humor that subverts politics, pop culture and religion. And Charlize Theron is delightful in a rare chance to be funny. But man, is this movie a mess. There’s no such thing as restraint. Robert Abele of the Los Angeles Times (and a fellow SMU grad) joins me and Ben to discuss.
The new “Godzilla” is pretty bad-ass. Matt and I actively cheered and applauded the monster. Ben had a blast, too. Alonso was not nearly so impressed. Please enjoy our super-sized review.
Jon Hamm stars in this feel-good Disney sports comedy about the effort to take two young men from India and turn them into major-league pitchers in the United States. It’s pretty dull and by-the-numbers until it turns schmaltzy.
The boys and I had a lively conversation about the faith-based comedy “Moms’ Night Out” and the subsequent shitstorm the negative reviews have inspired.
My fellow SMU grad, Los Angeles Times critic Robert Abele, joins me and Alonso for a discussion of Zac Efron, Seth Rogen and Snuffer’s cheese fries. Robert and I wanted to laugh harder, but Alonso had a good time.
The ordinarily likable Elizabeth Banks throws herself into this terrible role with all the gusto she’s got, but even she can’t make her vapid TV news anchor character feel like a real person. Robert Abele joins me and Alonso to discuss this flat, unfunny slog.
The four of us are all on the same page on this overstuffed comic-book sequel: a little more conversation, a little less action, please.
Tom Hardy drives a car along a London motorway for an hour and a half, and it’s gripping. Alonso, Ben and I all went a little nuts for this brilliantly executed, low-budget drama.
Cameron Diaz and Leslie Mann have some solid chemistry with each other in this comedy about scorned women seeking revenge. But then Kate Upton shows up, and the whole endeavor turns irretrievably slapsticky.
Paul Walker’s final completed film is an enjoyably trashy, English-language remake of the French action thriller “District B13.” It’s not a great movie but it’s a solid showcase for what Walker did best.