Matt, Alonso and I were all shocked at how good “Get on Up” is and how it breathes life into the musical biopic, a genre that’s typically riddled with cliches. (See: “Walk Hard: The Dewey Cox Story.” No really, you should see it.) Chadwick Boseman is completely captivating as James Brown and the film as a whole is massively entertaining.
Any sex tape you’d make at home with the partner of your choice would be hotter than this.
Ben and I were stunned that the sequel to “The Purge” is so much better than the original. Writer-director James DeMonaco expands on his clever idea both geographically and emotionally. It’s the best movie in a bad week for movies.
Believe the hype, guys — this movie is bad-ass. Bong Joon-ho’s film has serious things to say about class disparity but it’s also thrilling in its surprises and dazzling in its production design. If it’s not playing near you, please check it out through video on demand.
Machine gun-toting apes barreling on horseback through the fiery streets of San Francisco? Yes, please. Matt Reeves’ movie is pretty bad-ass — thrilling, terrifying and vividly rendered — but it also features some intimate moments of real emotional poignancy. We all dug it, although Alonso was less wowed than Ben and I were.
It’s the fourth ‘Transformers” movie. You know what you’re getting into by now — only worse. Our good friend, LA Weekly critic Amy Nicholson, joins me and Alonso for a fun and lively discussion.
Writer-director John Carney’s follow-up to the miraculous “Once” may not have quite the same innovative power, but it’s still a completely charming musical in a scruffily romantic version of New York City. Alonso and I kinda loved it; Amy, not so much.
Alonso and I have a major disagreement with our good friend, Amy Nicholson, over whether the romantic comedy parody “They Came Together” is actually funny or not.
Yves Saint Laurent was an innovator in the world of haute couture. This biopic about him is pretty by-the-numbers. Alonso and I got all gussied up to review.