The Academy Awards are this Sunday. Perhaps you’ve heard. Ben, Matt, Alonso and I do our best to predict who will win on Hollywood’s biggest night.
The What the Flick?! crew looks back on the great career of the late Harold Ramis. We all grew up in the 1970s and ’80s, so Ramis’ films really shaped our comic sensibilities.
Colin Farrell stars in this batshit-crazy, time-travel romance which has an interior mythology that’s complicated and convoluted but never boring. We all enjoyed saying WTF? this week during our What the Flick?! review.
The remake of the ’80s forbidden teen romance “Endless Love” creates the sensation of watching two toned, tanned Abercrombie & Fitch models fall in love. Alex Pettyfer and Gabriella Wilde have real chemistry during the flirtatious, falling-in-love stage, but director and co-writer Shane Feste unfortunately took out all the crazy when she adapted this story.
Enough already with the ’80s remakes, amirite? The new “RoboCop” lacks the cheeky satire of the original, but it’s got a great cast and the visual effects are pretty dazzling. The boys and I are all mixed on it.
Matt and I are seriously in love with “The Lego Movie.” In many ways, it’s actually better suited for adults than it is for kids. The animated comedy is consistently high-spirited and hilarious but also profoundly emotional in a surprising way. Alonso, meanwhile, wasn’t quite so wild about it. You guys decide whom to trust in this one.
George Clooney, as director, co-writer and star, put together an impressive cast to tell the story of a group of art historians who went behind enemy lines during World War II to recover millions of paintings and scultpures that Hitler stole. But the film is strangely dull and tonally off, and watching Clooney interact with the likes of Matt Damon, Cate Blanchett, Bill Murray and John Goodman only serves as a reminder of the superior work they’ve done. None of us liked this one.
We’re all still devastated over at What the Flick?! following the death of one of our favorite actors, Philip Seymour Hoffman. We discuss the depth and versatility of his talent and struggle to decide on a singular favorite performance during his wide-ranging career. We had so much to talk about, we forgot to mention “Capote,” the film that earned Hoffman his best-actor Oscar. That’s how prolific his output was.
Paulina Garcia is indeed glorious as the title character: a divorced woman in her 50s carving out her own identity and finding her own happiness. This drama was Chile’s submission for the foreign-language category at the Academy Awards (it was not nominated, unfortunately) but it’s very much worth seeking out. It’s honest, unpredictable and just completely lovely. (And yes, it will put the Laura Branigan song in your head. I’m just warning you now.)
It’s just a shot away … it’s just a shot away …
Wait, sorry. This is not a documentary about the rioting at Altamont, nor is it an analysis of Martin Scorsese’s use of pop music in his films. But man, you’ll wish it were. Vanessa Hudgens continues to shed her Disney Channel trappings as a runaway pregnant teen in this poorly-made, anti-abortion drama. It’s essentially an after-school special blown up on the big screen.