Post Date May 1

RogerEbert.com — Far From the Madding Crowd

Far from the Madding Crowd Movie ReviewI am not a romantic or traditional kinda gal, which you may have noticed if you’ve read me for a little while. But damned if Thomas Vinterberg’s take on on the classic novel “Far From the Madding Crowd” didn’t do it for me. It is just breathtakingly beautiful, and it features Carey Mulligan’s most mature and powerful performance yet as the independent Bathsheba Everdene. My RogerEbert.com review.

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Post Date Apr 24

RogerEbert.com — Little Boy

Little Boy Movie ReviewThe World War II drama “Little Boy” is extremely earnest but it’s also extremely heavy-handed in its notions about the transformative power of faith. I’d avoid it if I were you. My RogerEbert.com review.

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Post Date Apr 17

RogerEbert.com — Paul Blart: Mall Cop 2

Paul Blart: Mall Cop 2 Movie ReviewYou know how sometimes you walk into a movie with low expectations and it turns out not to be so bad after all? “Paul Blart: Mall Cop 2” is actually, actively worse than you think it will be. Please enjoy my zero-star RogerEbert.com review.

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Post Date Apr 17

RogerEbert.com — Monkey Kingdom

Monkey Kingdom Movie ReviewBehold, the irresistible cuteness of the macaque monkeys frolicking about a Sri Lankan jungle in the latest Disneynature documentary. But beware: Some of the situations are clearly staged and manipulated. Your kids won’t mind, though. Mine didn’t. My RogerEbert.com review.

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Post Date Apr 10

RogerEbert.com — Dior and I

Dior and I Movie ReviewYou don’t have to know a thing about fashion to appreciate the hard work and longtime devotion on display in this intimate documentary. Director Frederic Tcheng goes behind the scenes as the new creative director at Christian Dior, Raf Simons, puts together his first haute couture show — in just eight weeks. If you’re fascinated by process (as I am), this is the movie for you. My RogerEbert.com review.

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Post Date Apr 3

RogerEbert.com — Last Knights

Last Knights Movie Review“Last Knights,” a vaguely medieval action epic starring Morgan Freeman and Clive Owen, is as bland as its generic title would suggest. Japanese director Kazuaki Kiriya’s film might feature some handsome staging and solid production values, but it’s hard to tell because his film is so relentlessly dreary and bleak. My RogerEbert.com review.

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Post Date Mar 27

RogerEbert.com — While We’re Young

While We're Young Movie ReviewIn its brutally clear-eyed look at hipster culture and the horrors of middle age, Noah Baumbach’s latest, “While We’re Young,” is funny and sad and true. Put on your bifocals and enjoy my RogerEbert.com review.

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Post Date Mar 13

RogerEbert.com — The Wrecking Crew

The Wrecking Crew Movie ReviewThis affectionate and respectful documentary shines a spotlight on a group of studio musicians who performed on many of the biggest and most enduring hits of the 1960s and early ’70s. There’s a ton of great music in here, but the movie as a whole can get a little scattered and repetitive. My RogerEbert.com review.

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Post Date Mar 6

RogerEbert.com — The Second Best Exotic Marigold Hotel

The Second Best Exotic Marigold Hotel Movie ReviewThe original “Best Exotic Marigold Hotel” was not exactly great cinema, but it was sweet and safe. It was also a surprise box office hit. Hence, we have a sequel, which feels like as much of a shameless cash grab as “Grown Ups 2.” But these are really, really grown ups. My RogerEbert.com review.

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Post Date Feb 27

RogerEbert.com — Focus

Focus Movie ReviewWill Smith and Margot Robbie share a crackling chemistry and snappy banter in a series of luxurious locations as con artists conning each other and everyone else they meet. It’s a lot of fun, until it isn’t. At RogerEbert.com.

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