Juno Temple is a stripper with a heart of gold and Kathryn Hahn is the bored stay-at-home mom who tries to coax her down off the pole in “Afternoon Delight.” The film starts out as an honest exploration of a woman’s life and marriage in flux and turns into a judgy, preachy cautionary tale. My review for RogerEbert.com.
“Ain’t Them Bodies Saints” is a devastatingly beautiful film with an absolutely terrible title. It borrows more than a tad from Terrence Malick but also heralds the emergence of a talented filmmaker in David Lowery. My review for RogerEbert.com.
My RogerEbert.com review of the documentary “Off Label,” an indictment of Big Pharma that tries to encompass so many people and so many angles in such a short amount of time, it ends up breezing through them and providing glimpses that feel rushed and unsatisfying.
David Gordon Green’s latest film, “Prince Avalanche,” seamlessly blends the two seemingly contradictory artistic instincts within the writer-director: It has the unhurried pace and richly naturalistic aesthetic of his early, indie dramas with the comic banter and oddball characters of his later work. I very much enjoyed talking with him for a RogerEbert.com profile about the eclectic, prolific career he’s put together at just age 38.
In MacArthur Park where I interviewed David Gordon Green yesterday. Well, not in it. And we weren’t doing what Seth Rogen and James Franco are doing. But we sat underneath it and had a nice chat about “Pineapple Express,” and his new film “Prince Avalanche,” and the eclectic career he’s put together at just 38. I look forward to sharing it with you on RogerEbert.com next week.