“Kill Your Darlings” plays like a sort of Muppet Babies version of the Beat Poets. The self-serious way these figures regard themselves—and the self-serious way the film regards them—is cringe-inducing, early and often. My RogerEbert.com review.
For a movie about a larger-than-life personality who shook up the world with his brazenness—and since has had to seek political asylum because of it—”The Fifth Estate” feels unfortunately small and safe. My two-star review of the Julian Assange story for RogerEbert.com.
“CBGB,” about the birth of the legendary New York City music venue and the punk scene it launched in the 1970s, doesn’t even begin to capture the energy or the brashness of the pop-culture phenomenon it depicts. Too often, it feels like a distracting and inauthentic game of dress-up. My RogerEbert.com review.
Dayton O. Hyde has accomplished so much and enjoyed such a wide range of experiences over his 88 years, it’s as if he’s lived several lives. But “Running Wild” is a rather ordinary documentary about this extraordinary man. My RogerEbert.com review.
The backwoods neo-noir “A Single Shot” is an odd mix of beautifully bleak atmosphere and hammily mannered performances, which makes it simultaneously understated and overpowering. But it’s always good to see Sam Rockwell. My review for RogerEbert.com.