You know how sometimes you walk into a movie with low expectations and it turns out not to be so bad after all? “Paul Blart: Mall Cop 2” is actually, actively worse than you think it will be. Please enjoy my zero-star RogerEbert.com review.
Behold, the irresistible cuteness of the macaque monkeys frolicking about a Sri Lankan jungle in the latest Disneynature documentary. But beware: Some of the situations are clearly staged and manipulated. Your kids won’t mind, though. Mine didn’t. My RogerEbert.com review.
You don’t have to know a thing about fashion to appreciate the hard work and longtime devotion on display in this intimate documentary. Director Frederic Tcheng goes behind the scenes as the new creative director at Christian Dior, Raf Simons, puts together his first haute couture show — in just eight weeks. If you’re fascinated by process (as I am), this is the movie for you. My RogerEbert.com review.
“Last Knights,” a vaguely medieval action epic starring Morgan Freeman and Clive Owen, is as bland as its generic title would suggest. Japanese director Kazuaki Kiriya’s film might feature some handsome staging and solid production values, but it’s hard to tell because his film is so relentlessly dreary and bleak. My RogerEbert.com review.
This affectionate and respectful documentary shines a spotlight on a group of studio musicians who performed on many of the biggest and most enduring hits of the 1960s and early ’70s. There’s a ton of great music in here, but the movie as a whole can get a little scattered and repetitive. My RogerEbert.com review.
The original “Best Exotic Marigold Hotel” was not exactly great cinema, but it was sweet and safe. It was also a surprise box office hit. Hence, we have a sequel, which feels like as much of a shameless cash grab as “Grown Ups 2.” But these are really, really grown ups. My RogerEbert.com review.
Mae Whitman dazzles as the title character — which stands for Designated Ugly Fat Friend — a brilliant and quick-witted high school senior who takes that derogatory label and makes it her own. This breezy comedy is Whitman’s “Easy A”: the movie that will make the longtime supporting actress a star. At RogerEbert.com.