The buoyantly loopy chemistry between Kevin Hart and Josh Gad helps keep this mostly formulaic bromance afloat. Gad stars as a sweet but schlubby dude who’s about to get married; Hart plays his best man for hire. What could possibly go wrong? My RogerEbert.com review.
“Paddington” is smarter than the average bear. That’s right, I went there — but it’s true. It manages to pull off several different, tricky balancing acts while also serving as a stealthy allegory about immigration. Mostly, though, it’s just fun for the whole family. My review, at RogerEbert.com.
“Penguins of Madagascar,” a spin-off from the “Madagascar” franchise, is zippy and zany and much funnier than you might expect. I laughed the whole way through — because the vast majority of the humor is for us and not our kids. Still, this animated comedy is super family-friendly. My RogerEbert.com review.
This beautiful and beautifully strange animated film, which originally was released in France in 1980, has taken a long and tortured road to reach the United States. It’s a surreal satire of the perils of tyranny, told in twisted fairy tale form. Try and find it if it comes anywhere near you. My RogerEbert.com review.
“The Theory of Everything” is biopic about one of the most brilliant people in the history of the planet, the renowned astrophysicist Stephen Hawking. He’s a man famous for thinking in boldly innovative ways, yet his story is told in the safest and most conventional method imaginable. Director James Marsh — an Oscar winner for the 2008 documentary “Man on Wire” — has made a strongly acted, handsomely crafted film that nonetheless feels bland and unsatisfying. My mixed RogerEbert.com review.
The documentary “Actress” blurs the line between reality and performance in following its subject, former actress Brandy Burre, a mother of two trying break back into the business. Director Robert Greene takes a look at this inherently dramatic woman in ways that are both unadorned and artful. My RogerEbert.com review.
I love Daniel Radcliffe — he remains my favorite celebrity interview — and I love the daring choices he’s made to show his versatility outside the “Harry Potter” franchise. But I did not love the supernatural thriller “Horns,” which has some intriguing ideas but is all over the place tonally. My RogerEbert.com review.
“John Wick” is very much in Keanu Reeves’ wheelhouse. It’s a stylishly cool, dazzlingly choreographed action thriller that allows him to play on his stoic, Zen-like persona but also whip out a deadpan one-liner with detached precision. My RogerEbert.com review.