Reviews

RogerEbert.com — Before You Know It

It’s the end of summer which is not traditionally a great time for movies, But here’s a little gem you’ll enjoy: “Before You Know It,” which you’d never know is the directorial debut of co-writer and co-star Hannah Pearl Utt. The story of thirtysomething sisters shaken from their insular codependence...

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RogerEbert.com — Good Boys

The good boys of “Good Boys” try very, very hard to be bad. But despite their adult aspirations over the course of a wild couple of days, it’s their sweet-natured innocence that ultimately sees them through every misadventure. The feature debut from director Gene Stupnitsky is a bit of a...

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RogerEbert.com — Brian Banks

It is a tricky time to be releasing a movie like “Brian Banks,” based on the true story of a Southern California high school football star who was falsely accused of rape and sentenced to six years in prison. Aldis Hodge gives a strong performance, and certainly this does happen...

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RogerEbert.com — Skin

Jamie Bell completely transforms himself to give a powerful performance in “Skin,” based on the true story of a white supremacist who dared to turn his life around. Vera Farmiga and Bill Camp are chilling as the hate group’s charismatic leaders, and writer-director Guy Nattiv’s film is sadly too timely....

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RogerEbert.com — The Farewell

Believe the hype and bring tissues: “The Farewell” is one of the best movies of the year. Writer-director Lulu Wang tells an incredible, personal story with a perfect tonal balance of hilarity and heartbreak. It’s culturally specific yet universally relatable in its depiction of a family in crisis. And Awkwafina...

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RogerEbert.com — The Art of Self-Defense

“The Art of Self-Defense” begins life as a twisted take on “The Karate Kid,” but eventually morphs into a cautionary tale in the vein of “Fight Club.” Writer-director Riley Stearns uses a precise and dryly deadpan tone to explore the notion of toxic masculinity in this pitch-black comedy, while Jesse...

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RogerEbert.com — Spider-Man: Far From Home

“Spider-Man: Far From Home” changes the scenery but can’t quite match the inspired heights of its predecessor, 2017’s “Spider-Man: Homecoming.” It’s a lot of fun, and Tom Holland remains completely charming in his boyish incarnation of Peter Parker. But this sequel functions more effectively as a teen romantic comedy than...

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