RogerEbert.com — Horns

I love Daniel Radcliffe — he remains my favorite celebrity interview — and I love the daring choices he’s made to show his versatility outside the “Harry Potter” franchise. But I did not love the supernatural thriller “Horns,” which has some intriguing ideas but is all over the place tonally. My RogerEbert.com review. Read the […]

Daniel Stamm’s Favorite Unhappy Endings

Daniel Stamm is a twisted dude, and I mean that in the most complimentary way. When I asked the director of the horror films “13 Sins” and “The Last Exorcism” whether he’d be interested in doing a Five Most list for my website for Halloween, not only did he say yes immediately, he also immediately […]

Dear White People

Roadside Attractions Rated R for language, sexual content and drug use. Running time: 108 minutes. Three stars out of four. Writer-director Justin Simien takes a sledgehammer to the rosy notion that we’ve achieved a post-racial utopia — but he does it with great wit, bite and flair — in his debut feature, “Dear White People.” […]

RogerEbert.com — John Wick

“John Wick” is very much in Keanu Reeves’ wheelhouse. It’s a stylishly cool, dazzlingly choreographed action thriller that allows him to play on his stoic, Zen-like persona but also whip out a deadpan one-liner with detached precision. My RogerEbert.com review. Read the review here

RogerEbert.com — Birdman

“Birdman” is technically astounding yet emotionally rich, intimate yet enormous, biting yet warm, satirical yet sweet. It’s one of the best times you’ll have at the movies all year and might just be the best movie of the year. A rare four-star review, at RogerEbert.com. Read the review here

Whiplash

Sony Pictures Classics Rated R for strong language including some sexual references. Running time: 106 minutes. Three stars out of four. “Whiplash” puts us in the deliciously uncomfortable position of rooting for the shared success of two characters who are unlikable individually and toxic together. It’s one of the most disturbing entertaining movies I’ve seen […]

Five Great Bill Murray Performances

Bill Murray’s latest film, “St. Vincent,” isn’t exactly one of his greatest. It’s actually kind of mawkish and cringe-inducing. But we’re glass-half-full around here, so we’re going to seize the chance to turn this into a positive. Murray stars as Vincent, an alcoholic, misanthropic veteran living in a run-down Brooklyn home. He finds his anti-social […]

RogerEbert.com — One Chance

“One Chance,” inspired by the true story of unlikely opera singer Paul Potts, is pure formula. But it’s charming nonetheless thanks mostly to a winning performance from the irresistible James Corden. You may as well give in — he’s just going to keep singing at you until you do. I went easy on this one […]

What the Flick?! — Whiplash

“Whiplash” is at once thrilling and horrifying. The story of a talented young jazz drummer and his cruelly sadistic mentor features powerful performances from Miles Teller and J.K. Simmons and editing so intricate and masterful, it feels like jazz itself. (Like, seriously, it should win every possible editing award there is.) I can’t exactly say […]

What the Flick?! — The Judge

This courtroom drama feels like an overlong, overstuffed adaptation of a John Grisham airport paperback from the mid-1990s. It is clearly the work of a comedy director (David Dobkin) trying desperately to do something more substantive. But it has a few moments that earn their demands to be taken seriously, particularly the heated exchanges between […]