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Hollywood’s Biggest Morning

Oscar nominations morning is actually really fun, despite the ungodly hour. For years, I’d cover the nominations from the Academy on Wilshire Boulevard in Beverly Hills alongside all the other reporters and producers. Everyone’s in a good mood, if a bit bleary-eyed, buzzing on a combination of caffeine and expectation....

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Movies With Friends — Her

Jennie Morris and I have been friends for so long that when we were kids, we’d spend hours at one another’s houses playing Atari video games — specifically, Pitfall and Megamania, in case you were wondering. (Yes, we are dating ourselves.) Now, we’re both grown-ass women with husbands and sons...

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RogerEbert.com — Dumbbells

The title says it all. This is an incoherent, low-budget throwback to the raunchy sex comedies of the early 1980s. But those movies at least seemed vaguely focused compared to this painfully unfunny romp about idiots at a Los Angeles gym. My zero-star review for RogerEbert.com. Read the review...

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RogerEbert.com — The Truth About Emanuel

“The Truth About Emanuel” isn’t even the truth about Emanuel, but that’s at least a vaguely better title than “Emanuel and the Truth About Fishes,” as it was known at last year’s Sundance Film Festival. Here’s my RogerEbert.com review of this psychological thriller in which Jessica Biel plays a mysterious,...

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Revisiting Mindy Kaling & Matt & Ben

The insanely likable and talented Mindy Kaling has been at the center of debate lately because of her ELLE magazine cover — or rather, because of what we don’t see of her: any part of her body from the chest down. While the other actresses (Zooey Deschanel, Amy Poehler and...

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Lone Survivor

Universal Studios Rated R for strong bloody war violence and pervasive language. Running time: 121 minutes. Three stars out of four. We had a lively debate on What the Flick?! recently about “Lone Survivor,” and whether it’s intended as a propaganda film or an anti-war statement. Ben, Alonso and I...

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RogerEbert.com — Open Grave

Sharlto Copley wakes up in an open grave in … “Open Grave.” Spanish director Gonzalo Lopez-Gallego presents an intriguing mystery for a while as he explores the nature of memory and identity, but ultimately his film turns disappointingly cliched. My RogerEbert.com review. Read the review here...

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