“Storks” is shockingly good — way better than it looks. It’s got a zippy, zany streak filled with absurdist asides reminiscent of “Looney Tunes” cartoons. But it also sneaks up on you with genuine emotion by the end. Just don’t look for real-world logic here — and enjoy those awkward conversations with your kids about where babies come from during the car ride home. My RogerEbert.com review.
“Dancer” is an intimate, riveting documentary about Ukrainian ballet superstar Sergei Polunin, the media-hyped “bad boy” who reached the heights of success at an astonishingly young age, only to walk away from it all at 25. Director Steven Cantor explores the paradox of having it all and still not feeling satisfied. My RogerEbert.com review.
“Other People” breathes new life into the formulaic dark comedy about death. Molly Shannon will rip your heart out as a wife and mother of three who’s battling a rare form of cancer. It’s a career-changing performance in an auspicious feature debut from writer-director Chris Kelly. My RogerEbert.com review.
This is a very strange, little movie. I’m still not entirely sure how I feel about it, but I liked it a bit more than I didn’t like it, if that makes any sense. I appreciate what it’s trying to do in mixing Hitchcockian suspense with magical realism. It works, and it doesn’t. My RogerEbert.com review.
The latest stop-motion animation extravaganza from Laika is as poignant for adults as it is entertaining for children. Inspired by a multitude of Japanese art forms, it’s textured yet crisp, frighteningly dark yet radiant with bold color. It’s a classic hero’s journey full of action and adventure, but it’s also an intimate fable about love and loss, magic and memory. See it with your kids. See it if you don’t have kids. My rave, at RogerEbert.com.