Sean Penn turns African strife into a two-hour perfume commercial with “The Last Face,” veering between gauzy impressionism and shrieky melodrama with his latest directorial effort. The real story is about Charlize Theron and Javier Bardem’s characters, humanitarian aid doctors trapped in a star-crossed romance. It’s all laughably pretentious. Please enjoy my one-star RogerEbert.com review.
If you liked “Sicario” and “Hell or High Water,” please seek out “Wind River.” Screenwriter Taylor Sheridan also directs this time, telling the story of a murder mystery at a Wyoming Indian reservation. It’s gripping and chilling, with a rich sense of place and strong performances from Jeremy Renner and Elizabeth Olsen as the investigators on the case. My RogerEbert.com review.
I have been to many a Fun Mom Dinner in my life. I’m usually the ones who plans them, actually. So I am exactly the target audience for the raunchy, R-rated comedy “Fun Mom Dinner.” Unfortunately, it’s got moms and dinner but not much fun. My RogerEbert.com review.
Various characters populate “Person to Person,” but they rarely register as actual people. And while some of their storylines intersect throughout the course of a day in New York, they rarely connect in ways that have actual meaning. My RogerEbert.com review of this shaggy, meandering dramedy.
“Lady Macbeth” only looks like a stuffy, refined period piece. While it is indeed beautiful, it’s also startling, with a central, powerhouse performance from 21-year-old Florence Pugh that constantly challenges how you feel about her title character. My RogerEbert.com review.